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China and South Korea Box Office: ‘Avengers: Endgame Encore’ Tops China, ‘The Assassin(s)’ Leads Korea’s Chuseok Surge

Avengers: Endgame Encore and The Assassin(s) lead the China and South Korea box office

The September 25–27 weekend produced two very different stories in Asia’s biggest theatrical markets. In China, Marvel’s Avengers: Endgame Encore took the top spot from Once Upon a Time in the Middle East, which had ruled the chart for several weeks. In South Korea, the Chuseok holiday lifted the overall market, with director Hur Jin-ho’s The Assassin(s) opening at No. 1.

In China, Avengers: Endgame Encore claimed the top spot with $12.5 million (RMB 83.8 million), according to Artisan Gateway. The re-release has now reached a cumulative total of $647.8 million in the country.

Once Upon a Time in the Middle East moved to second place after its long run at the top, collecting $7.6 million in its seventh weekend. Directed by Wen Muye and starring Shen Teng, Jiang Qiming, Aarif Rahman and Omar Sherif, the war comedy-drama has lifted its total to $341.2 million since opening on August 11. The film follows a Chinese chef in a fictional Middle Eastern city who turns his restaurant into a shelter for local orphans and civilians during an armed conflict.

All Wishes Come True! held third place in its 11th weekend with $4.6 million. Directed by Mu Zhengyang, the animated fantasy comedy has now reached $296 million since its July 18 release.

The Old Fox opened in fourth place with $3.6 million. Directed by Li Taige, the crime comedy stars Yu Qian as a retiring veteran police officer who notices suspicious details in a routine theft case. His investigation leads him to a ruthless corporate chairman, played by Tony Leung Ka-fai, and the two become locked in a battle of wits.

V rounded out China’s Top Five with $2.8 million in its sixth weekend, taking its cumulative total to $96 million. Directed by Han Yan and led by Tony Leung Ka-fai, Zhu Yilong, Tan Jianci and Kara Wai, the film follows an ambitious man’s rapid rise to power and the consequences that threaten it.

Mainland China’s overall weekend gross reached $39.9 million during the quieter stretch before the Golden Week holiday. The 2026 year-to-date box office stands at $4.34 billion, down 29.4% from the same point in 2025.

In South Korea, The Assassin(s) powered to No. 1, earning $8 million from 1,119,156 admissions across 1,532 screens and taking a 40.9% share of the weekend market, according to KOBIS.

Directed by Hur Jin-ho, the period investigation drama reconstructs the August 15, 1974 assassination attempt on President Park Chung-hee, which killed First Lady Yuk Young-soo. Yu Hae-jin plays a detective, Park Hae-il plays a veteran newspaper desk chief, and Lee Min-ho plays a rookie reporter. The three investigate missing ballistic evidence that contradicts the state’s lone-gunman verdict. Since opening on September 23, the film has earned $11.2 million from 1,566,222 admissions.

Tazza: The Song of Beelzebub opened in second place with $4.1 million from 566,526 admissions across 1,045 screens, giving it a 21.3% share of the market. Directed by Choi Kook-hee and starring Byun Yo-han, Noh Jae-won and Ayaka Miyoshi, the fourth film in the gambling franchise follows a betrayed former online casino operator who enters the international poker circuit for a high-stakes duel of revenge. Including previews and holiday crowds since September 23, the film has earned $6.1 million from 833,030 admissions.

The Odyssey placed third in its eighth weekend, adding $3.2 million from 364,763 admissions across 843 screens for a 16.6% market share. Christopher Nolan’s epic has reached $96.3 million from 11,783,301 admissions since its August 5 launch.

Last weekend’s admissions leader, The Intern, slipped to fourth place in its second weekend with $1.5 million from 206,347 admissions across 722 screens. Directed by Kim Do-young and starring Choi Min-sik and Han So-hee, the Warner Bros. Korea comedy remake has earned $5.3 million from 756,057 viewers.

Lee Chang-dong’s Possible Love debuted in fifth place with $557,981 from 72,022 admissions across just 195 screens. The Venice Grand Jury Prize winner stars Jeon Do-yeon, Sul Kyung-gu, Cho Yeo-jeong and Zo In-sung and centers on the tension between a working-class couple following a strike and a wealthy couple filming a documentary about them. Since opening on September 23, South Korea’s Oscar submission has earned $890,241 from 115,938 admissions.

Obsession placed sixth in its fourth weekend with $542,493, bringing its total to $6.6 million. Avengers: Endgame Encore opened in seventh place with $550,939 from 178 screens, while Resident Evil was eighth with $291,213. Spider-Man: Brand New Day came ninth with $154,701, lifting its total to $67.4 million. The British animated adventure Octonauts: Above and Beyond – Season 2 rounded out the Top 10 with an $89,565 opening.

Korea’s overall weekend gross reached $19.6 million, a sharp increase from $7.6 million the previous week, with the Chuseok holiday driving the broader market surge.

The weekend highlighted the contrasting dynamics in the two markets. China’s quieter pre-Golden Week frame allowed Avengers: Endgame Encore to move into first place, ending Once Upon a Time in the Middle East‘s extended run at the top. In South Korea, the Chuseok holiday provided a substantial boost to the market and helped two new local releases, The Assassin(s) and Tazza: The Song of Beelzebub, move ahead of The Odyssey, which had dominated the Korean box office for weeks.

China Weekend Box Office — September 25–27

  1. Avengers: Endgame Encore — $12.5 Million | Cumulative: $647.8 Million
  2. Once Upon a Time in the Middle East — $7.6 Million | Cumulative: $341.2 Million
  3. All Wishes Come True! — $4.6 Million | Cumulative: $296 Million
  4. The Old Fox — $3.6 Million | Opening Weekend
  5. V — $2.8 Million | Cumulative: $96 Million

South Korea Weekend Box Office — September 25–27

  1. The Assassin(s) — $8 Million | 1,119,156 Admissions | Cumulative: $11.2 Million
  2. Tazza: The Song of Beelzebub — $4.1 Million | 566,526 Admissions | Cumulative: $6.1 Million
  3. The Odyssey — $3.2 Million | 364,763 Admissions | Cumulative: $96.3 Million
  4. The Intern — $1.5 Million | 206,347 Admissions | Cumulative: $5.3 Million
  5. Possible Love — $557,981 | 72,022 Admissions | Cumulative: $890,241
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