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There’s a strange familiarity to most biopics. Not just in what they show, but in how they make you feel. You walk in expecting a life, but what you often get is something smoother, safer, already resolved. The struggle is there, the fall is there, the rise is definitely there, but it all feels… arranged. As if the film isn’t discovering a person, but carefully presenting one. Take Bohemian Rhapsody,