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Wuthering Heights arrives with the kind of baggage few literary adaptations can avoid and fewer filmmakers choose to provoke. Directed by Emerald Fennell, the film follows Saltburn with an operatic, erotic reimagining of Emily Brontë’s novel—one that critics across major global publications agree is impossible to ignore, even when it frustrates. The response, taken as a whole, is sharply divided: praise for audacity, performances, and atmosphere collides with concerns about