Jurassic World: Rebirth has stormed the global box office, collecting an earth-shaking $318.31 million worldwide in its debut frame. Released on July 2, 2025, this sci-fi adventure is the first major tentpole in the franchise since 2022’s Jurassic World: Dominion, and the audience response has proven there’s still plenty of roar left in the series.
A Thunderous Start in the U.S.
According to Box Office Mojo, Rebirth opened midweek on Wednesday, July 2, and its early momentum carried it into the long Independence Day weekend with substantial force. The Friday-to-Sunday portion alone delivered a whopping $91.5 million, ranking as the fourth-highest domestic opening in the franchise’s history. When the midweek previews from Wednesday and Thursday are included, the total U.S. gross by the end of Sunday stands at $147.3 million.
The film was shown across 4,308 theaters in North America, resulting in strong per-theater averages and robust family turnout across the extended holiday weekend. While critical reception has been mixed—reflected in its 53% Rotten Tomatoes score—audiences appear largely satisfied, driven by nostalgia, spectacle, and a high-profile cast.
International Numbers Expand the Footprint
Outside the U.S. and Canada, Jurassic World: Rebirth added an impressive $171.01 million, bringing its worldwide opening total to $318.31 million. These numbers are especially promising given the film is yet to open in China, most of Europe, and several Asia-Pacific territories—markets that historically boost Jurassic entries into the billion-dollar club.
Markets like the UK & Ireland brought in a robust £1.99 million on debut, while India’s first-day tally stood at ₹3.77 crore, a respectable start considering competition and audience preferences. Latin America also posted strong figures in territories like Mexico and Brazil, indicating global reach and the continued appeal of dinosaur-driven storytelling.
Star Power and a Fresh Direction
Helmed by Rogue One director Gareth Edwards, Rebirth takes a slightly different narrative route compared to its predecessors. Set five years after the events of Dominion, the film follows a high-stakes expedition into remote equatorial regions to extract prehistoric DNA for potential medical breakthroughs. This new angle injects a sense of urgency and scientific relevance, adding freshness to the familiar premise of man versus nature.
The film stars Scarlett Johansson, Mahershala Ali, and newcomer Leo Woodall, lending the franchise a blend of A-list charisma and fresh faces. Their grounded performances anchor the visual spectacle and complex ethical dilemmas the film seeks to explore.
Franchise Performance and Financial Outlook
With a production budget of approximately $180 million, Universal Pictures is eyeing a breakeven point in the $450–675 million range. Jurassic World: Rebirth has already crossed the $318 million mark globally in its first five days, suggesting that recouping costs may not be a major challenge—especially if China and Europe respond positively in the coming weeks.
For comparison, 2015’s Jurassic World opened to $208.8M domestically and went on to gross $1.67 billion globally. While Rebirth may not hit those same historic highs, its opening signals strong franchise health, particularly after Dominion received a more lukewarm reception critically.
F1: The Movie — Holding Speed, Sliding Gently
After its stellar debut, Warner Bros.’ F1: The Movie downshifted to second place this weekend, earning $26.06 million—a 54.3% decline that’s typical for a sophomore frame following a major launch. Directed by Joseph Kosinski, the high-octane racing drama has now accumulated $109.5 million domestically and continues to rev up international circuits, inching toward the $200 million global benchmark.
Brad Pitt’s portrayal of a storied Formula One driver grappling with career burnout and personal demons has struck a chord with audiences, especially in Europe and Australia where motorsport enjoys a passionate following. F1 expanded to 3,732 theaters this weekend—an increase of 71 screens—indicating continued confidence from exhibitors despite tough competition from Jurassic World: Rebirth. While its hold in the top three may be short-lived, F1 has already established itself as a notable summer success among adult-skewing dramas.
How to Train Your Dragon (2025) — Soaring Steadily
In third place, Universal’s How to Train Your Dragon reboot continues to fly gracefully. The film brought in $11 million over the weekend, showing a 43.9% drop—respectable for its fourth weekend in release. Its screen count decreased by 413, but that hasn’t derailed the animated adventure, which has now grossed $224 million worldwide.
Domestically, its legs are starting to slow, but the film remains a top animated performer in 2025 thanks to strong international play, especially in Asia and South America. Praised for its upgraded animation, emotional storytelling, and a fresh voice cast, this reboot has managed to satisfy fans of the original trilogy while bringing new viewers into the fold. While it may not break records, it’s a solid performer in a competitive market.
Elio — Modest Returns, Modest Promise
Disney’s sci-fi original Elio added $5.7 million in its third weekend, falling 45.4% and pushing its total to $55.07 million. With its screen count reduced by 515 theaters, the film appears to be nearing the end of its theatrical run.
Though not a breakout, Elio is quietly earning praise for its originality and heart. If not a theatrical hit, its future on streaming could redefine its success, particularly among younger viewers and genre fans.
28 Years Later — Quiet Fade for the Rage
Sony’s 28 Years Later earned $4.6 million this weekend, down 52.8% from the previous frame. With $60.23 million total in the U.S., the R-rated horror sequel is performing decently but falling short of breakout status.
While director Danny Boyle’s return sparked early enthusiasm, audience retention has been middling. International returns—especially from the UK—will determine whether the film has enough bite to remain profitable.
The Rest of the Top 10: Familiar Faces and Fading Runs
At sixth, Universal’s M3GAN 2.0 dropped sharply with $3.8 million (-62.8%), bringing its domestic haul to $18.55 million after two weeks. The horror sequel struggled with poor critical reception and soft word-of-mouth, and its trajectory suggests a quick fade from theaters.
Disney’s live-action Lilo & Stitch remains an enduring success in seventh place. Earning another $3.8 million (-44.5%), the film now boasts a stunning $408.5 million global total. With strong family turnout and emotional appeal, it’s been the summer’s surprise juggernaut.
In eighth, Mission: Impossible – The Final Reckoning continued its sturdy run with $3.28 million in its seventh week. The Tom Cruise–led finale is on the verge of surpassing $200 million domestically, thanks to steady weekday attendance and repeat viewings.
A24’s Materialists took ninth with $1.35 million, down 55.1%. Despite strong early buzz, the film has lost steam and now sits at $33.52 million domestically. Its satirical edge may find a second life via awards season or streaming.
Rounding out the list is Lionsgate’s Ballerina, which earned just $725,000 this weekend—a sharp 66.9% drop. The John Wick spin-off now stands at $57.25 million. With dwindling screens and declining turnout, it’s unlikely to reach the $60M mark.
The Fourth of July weekend saw a commanding return to franchise form with Jurassic World: Rebirth, proving that nostalgia and spectacle still drive summer box office highs. Meanwhile, F1: The Movie and How to Train Your Dragon offer solid alternatives, balancing spectacle with emotion. Mid-tier films like Elio and 28 Years Later may not have soared, but they filled out a diverse lineup. The rest of the top 10 reflects the usual mix of overperformers (Lilo & Stitch) and quiet exits (Ballerina, Materialists).
With several major releases still to come in July, the summer box office is heating up—just in time for the return of global markets like China and Europe to tip the scales for big studio hopefuls.
Data sourced from Box Office Mojo.
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