
Raja Shivaji
Release date: 01/05/2026 | Film: Raja Shivaji | Director: Riteish Deshmukh | Cast: Riteish Deshmukh, Sanjay Dutt, Abhishek Bachchan

The Drama — Release Date: April 3, 2026. Written and directed by Kristoffer Borgli, the film stars Zendaya and Robert Pattinson in a romantic comedy drama that probes intimacy, trust, and emotional performance within modern relationships.
Set in the days leading up to a wedding, The Drama follows Emma Harwood, a bookstore clerk from Baton Rouge, Louisiana, and Charlie Thompson, a British museum director based in London. As their wedding approaches, what appears to be a stable, affectionate relationship begins to fracture when one partner uncovers unsettling truths about the other. The discovery triggers a chain of emotional reckonings that forces both individuals to confront not just each other, but the versions of themselves they have been performing within the relationship.
Rather than unfolding as a conventional romantic crisis, the film situates its tension in conversations, silences, and social rituals surrounding marriage. Borgli’s direction leans into discomfort, examining how love can coexist with manipulation, secrecy, and self-deception. The narrative resists clear moral binaries, allowing its characters to remain contradictory and unresolved as they navigate the final days before commitment.
The supporting cast—including Mamoudou Athie, Alana Haim, Hailey Gates, and Zoë Winters—populate the couple’s emotional orbit, reinforcing the sense that private relationships are constantly shaped by external observation and judgment. Winters appears as a wedding photographer, a subtle but pointed presence reflecting the film’s preoccupation with image-making and curated intimacy.
Produced by A24, The Drama continues the studio’s tradition of relationship-driven cinema that blends humor with psychological unease. The film’s visual language is understated, shaped by location shooting across the United Kingdom, Boston, New York City, Los Angeles, and Louisiana, grounding the story in recognizable, contemporary spaces. Daniel Pemberton’s score further emphasizes tonal shifts between romance, irony, and quiet dread.
The Drama positions marriage not as a resolution, but as a pressure point—one that exposes the fragile architecture of love when truth becomes unavoidable.
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