The North American box office experienced one of its weakest weekends of the year, with estimated overall ticket sales hovering around $60 million as Halloween fell on Saturday and cinema attendance softened. The race for the top position was particularly close, with A24’s documentary You Can See Everything narrowly ahead of Warner Bros. and DC’s Clayface. The two films finished with estimated weekend grosses of $10.6 million and $10.4 million, respectively, according to the latest chart figures.
You Can See Everything remained in first place in its third weekend, recording $10,600,684, a 43% decline from the previous frame. The documentary expanded its theatrical footprint by 588 locations to reach 3,243 theatres, taking its domestic cumulative total to $63,882,597. Made on a reported production budget of $7 million, the nearly three-hour documentary has demonstrated considerable staying power at the North American box office. Its performance is particularly notable given its running time and the limited international rollout so far. The film is scheduled to open in Australia and New Zealand on November 12, followed by the UK on November 20, while its release in Turkey has already begun.
Clayface, meanwhile, collected $10.4 million in its second weekend, declining 57% from its opening frame. The R-rated DC film, centred on the Batman villain, played in 3,478 theatres and brought its domestic total to $44.064 million. Its worldwide collection has reached approximately $83 million, including around $38.9 million from international markets. The film added an estimated $12.4 million internationally during the weekend, taking its overseas performance across several markets, including the UK, Australia, Mexico and France. With only a $200,000 difference separating the two leading films in North America, the top position remained a close contest in the weekend estimates.
Laika’s Wildwood held third place with $7.5 million, a 39% drop from the previous weekend. The animated feature played in 2,920 theatres and has accumulated $25.9 million domestically. Its worldwide collection has reached approximately $35.8 million after adding $12.3 million globally during the weekend, including $4.8 million from international markets. The film has now surpassed the lifetime domestic collection of Laika’s Missing Link, which finished its theatrical run with $26.5 million worldwide according to the figures previously reported. However, Wildwood carries a reported production budget of $100 million, making its theatrical performance a significant challenge for the studio. The film is still expanding internationally, with releases across additional territories scheduled in the coming weeks.
Wicker, starring Olivia Colman and Alexander Skarsgård, occupied fourth place with $4.125 million in its second weekend, down 28%. The film’s domestic total has reached $13.26 million, while its worldwide collection stands at approximately $15.5 million. Made on a reported budget of $10 million, the film has also recorded a strong start in the UK, where it opened at number one with around $2.2 million from 676 theatres, excluding previews. Black Bear acquired the film’s North American rights for a reported $2.5 million.
Street Fighter slipped to fifth place with $3.2 million, registering a 63% decline in its third weekend. The film’s domestic total now stands at $53.01 million, while its worldwide collection has reached approximately $91.9 million. With a reported production budget of $82 million, the film still has considerable ground to cover at the global box office. Its theatrical earnings will also need to be considered against the share retained by cinemas and distribution costs.
The concert film BTS World Tour ‘Arirang’ in Buenos Aires and São Paulo Live Viewing entered the chart in sixth place with $2.8 million from 1,010 theatres. Resident Evil followed in seventh place with $2.525 million, a relatively modest 13% decline in its seventh weekend. The film’s domestic total has reached $157.399 million, while its worldwide collection has crossed the $400 million mark, making it the highest-grossing instalment in the franchise. Its international collection has been driven by markets including China, the UK, Mexico, Japan, France and Germany. The film has also moved ahead of several recent horror releases in worldwide earnings, including Sinners, The Nun and Weapons.
Other Mommy took eighth place with $2.5 million, declining 36% in its fourth weekend. The Universal, Blumhouse and Atomic Monster production has accumulated $55.625 million domestically and approximately $107.4 million worldwide, with international markets contributing around $51.8 million. Its overseas performance has continued with releases across European territories, including Germany, the Netherlands and Austria.
In ninth place, The Only Living Pickpocket in New York, starring John Turturro, collected $1.765 million after expanding to 1,112 theatres. Its domestic total now stands at approximately $1.97 million. Heart of the Beast rounded out the top 10 with $1.615 million, a 34% decline, taking its domestic cumulative collection to $65.11 million.
Beyond the North American chart, Universal’s The Odyssey, directed by Christopher Nolan and starring Matt Damon, reached another significant milestone. Its worldwide collection has climbed to approximately $1.799 billion, including $1.17 billion from international markets. The film has surpassed Furious 7, which earned approximately $1.16 billion overseas, to become Universal’s biggest international theatrical release. Its domestic total stands at around $625.5 million, with Jurassic World remaining the studio’s highest-grossing domestic release at $653.4 million.
The weekend also brought further international business for Other Mommy and Wildwood, while Wicker continued to build its overseas performance. Nevertheless, the overall North American market remained subdued, with Halloween affecting the weekend’s theatrical momentum. The narrow difference between You Can See Everything and Clayface provided the principal contest at the top of the chart, even as the broader market struggled to generate substantial business.
US Weekend Box Office: October 30–November 1, 2026
- You Can See Everything – $10,600,684
- Clayface – $10,400,000
- Wildwood – $7,500,000
- Wicker – $4,125,000
- Street Fighter – $3,200,000
- BTS World Tour ‘Arirang’ in Buenos Aires and São Paulo Live Viewing – $2,800,000
- Resident Evil – $2,525,000
- Other Mommy – $2,500,000
- The Only Living Pickpocket in New York – $1,765,000
- Heart of the Beast – $1,615,000
